Philip Fisher

London Editor

[email protected]

Philip Fisher is the BTG's London editor and a member of the Critics' Circle Drama Section.

He started reviewing theatre at the Edinburgh Festival 2000. Since then, he has become a regular reviewer and writer on theatrical matters, primarily for the British Theatre Guide.

He has also worked on a freelance basis for a variety of other publications. He has also regularly contributed audio interviews to TheatreVOICE.

He has been published in a wide variety of other journals including the Western Mail, The Stage, The Jewish Chronicle and The Wisden Cricketer.

When not working as a theatre critic and commentator on a wide variety of issues for AccountingWEB, Philip spent 20 years as a tax Partner at various leading firms of accountants. In this guise, he has written numerous articles on taxation matters for a wide variety of publications including The Times as well as writing and contributing to several books.

He is now branching out into other areas of writing.

Reviews

Features

Harry Potter and the Cursed Child on Broadway

Reasons to be Cheerful

Philip Fisher shines a light on prospects for what could be a much better year.
Jodie Comer in Prima Facie

Things Can Only Get Better

The theatre world will be very happy to see the back of 2022, even if it was marginally better than its two precursors.
Jordan E Cooper in Ain't No Mo'

The Indomitable Spirit of Theatre

You just can't keep theatrical folk down, even in the teeth of a cost-of-living crisis.
Roxana Silbert

Arts Council England Claims Its First Victim

Hampstead Theatre has announced the departure of its Artistic Director Roxana Silbert following the loss of its funding.
It's Behind You

Support Our Theatres

Philip Fisher suggests that if the government and Arts Council England won't support our theatres then we need to.
Matt Daines and Damian Williams in Cinderella

Can Culture Afford to Turn down a Sinister Prince Charming?

If the government and Arts Council England will not support the cultural sector, the alternatives might be even less palatable.
Protest outside English National Opera

The Future of Opera Lies in a Car Park

The chief executive of Arts Council England believes that opera should be relegated to car parks. Is he right?
English National Opera's Coliseum

The Arts Under Fire from Arts Council England

A recent round of funding from Arts Council England threatens the futures and jobs of many in the industry.
Le Malade Imaginaire

Remember COVID-19?

With COVID-19 making a comeback and flu also a concern, Philip Fisher wonders whether UK theatres should be trying harder.
Towards a Poor Theatre

Does the Future Lie in Poor Theatre?

Tough times lie ahead and Poor Theatre might offer the best way forward.

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