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Dateline: 8th June, 2008

In the Red and Brwn Water publicity image
Amazônia publicity image

The New Season at the Young Vic

The Young Vic has announced its season from July 2008 to January 2009:

Street Scene by Kurt Weill, directed by John Fulljames
Main House, 17 July – 22 July
A co-production with The Opera Group and Watford Palace Theatre
Street Scene won the first ever Tony Award for Weill’s music. It was adapted by Elmer Rice from his own Pulitzer Prize-winning play and the lyrics are by the poet of Harlem, Langston Hughes.
The show – the first UK production in 20 years – will have a mass ensemble company made up of fifteen singers drawn from the worlds of opera and musical theatre, a chorus of fifty, a chamber orchestra of thirty and a dog!
Set in a New York tenement building over a long hot summer's day and night, Street Scene is a meeting of Broadway musical and American opera. It incorporates an array of show tunes, arias, blues, jazz and spirituals in a musical melting pot that captures the diversity of working class New York in 1947.

Festa! a community show inspired by Brazil’s Festa Junina
Main House, 16 August (2 performances)

Fragments by Samuel Beckett, directed by Peter Brook
Main House, 27 Aug – 13 Sept
A Théâtre des Bouffes du Nord/Young Vic co-production
Fragments brings together five short pieces by Samuel Beckett: Rough for Theatre I, Rockaby, Act Without Words II, Neither and Come and Go.
This production began at the Young VicMaria Studio last year (see our review) and then toured nationally and internationally. Marcello Magni and Kathryn Hunter remain in the cast and are joined by Khalifa Natour. Peter Brook directs.

In the Red and Brown Water by Tarell Alvin McCraney, directed by Walter Meierjohann
Main House, 02 Oct – 08 Nov
European premiere
In the Red and Brown Water is the first of the Brothers/Sisters trilogy from the thrilling young playwright whose lyrical storytelling brought audiences to their feet in London and New York with his debut play The Brothers Size.
Oya is a star athlete. She never feels so right as when she’s running. As a girl she has to choose between following her dream and caring for her sick mother. As a woman she is torn between two men and is desperate to bear a child.
This is a story of early womanhood, drawing on a rich tapestry of literature from the earthy tones of Lorca’s Yerma to the vibrant storytelling tradition of West African folklore. Stories and characters familiar from The Brothers Size resonate through the play as McCraney’s poetry weaves seamlessly into the street talk of pre-Hurricane Katrina New Orleans.

The Brothers Size by Tarell Alvin McCraney, directed by Bijan Sheibani
The Maria, 08 Oct – 08 Nov
A revival of last year's production but with a different cast which includes Daniel Francis, Tunji Kasim and Anthony Welsh.

You Can See the Hills written and directed by Matthew Dunster
The Clare, 14 – 18 October
A Royal Exchange Theatre Production
Young Vic associate director Matthew Dunster will direct his pungent and hilarious new play in the Clare following a debut run at the Royal Exchange Theatre, Manchester this autumn.
Sex, fury, violence, chatting back, school, your mum and dad – and a nightmare of a paper round!

Amazônia written and directed by Pedro Cardoso and Paul Heritage
Main House, 27 Nov – 24 Jan
This year the Young Vic celebrates Christmas Brazilian style. Inspired by the stories and culture of the rainforest, Amazônia is another departure from traditional seasonal fare. An adventure for everyone age 7 and up.
Amazônia is written and directed by Paul Heritage (AfroReggae) and Brazil's great comic actor Pedro Cardoso, who will also be in the cast. It will be designed by Gringo Cardia, (AfroReggae, Cirque du Soleil) and will feature both Brazilian and British actors.
Twin boys take refuge in a tree in the rainforest and a spirit casts a spell over all who pass beneath its branches.
Years later a troupe of dancers rehearses in the forest. Confusion erupts as friends and enemies change bodies, transformed by the enchanted tree. The world looks different through another pair of eyes.

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©Peter Lathan 2008