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Dateline: 11th May, 2008

News from the Midlands

Breaking the Silence rehearsal photo
Philip Bretherton and Diana Kent
Rehearsal photo by Robert Day

Theatre on the right track with Poliakoff revival

Nottingham Playhouse is staging what's thought to be the first professional revival in this country of a play by the UK's foremost television dramatist, Stephen Poliakoff.

Breaking the Silence, commissioned by the RSC, premiered at the Barbican Pit in 1984 and the charismatic central character is based on Poliakoff's grandfather who pursued his scientific dreams despite continuing opposition.

The play recounts the journey of a resourceful family as they criss-cross Lenin's Russia in a dilapidated railway carriage. Somehow they contrive to retain the appearance of being affluent.

Breaking the Silence "immerses the audience in an historical situation so remarkable that it would seem fantastical were it not grounded in fact. To borrow another Poliakoff title, the play's characters are quite literally 'caught on a train', with the action confined to the interior of a run-down imperial carriage."

Nikolai, the charismatic head of the family, pursues his ambition to be the first in the world to record sound on film. While the nation descends into turmoil, his family discover their own powers of invention, with his wife Eugenia falsifying the records he's ordered to keep.

But the rise of Stalin brings matters to a head and son Sasha plays a decisive role as Nikolai is caught between fleeing the country and fulfilling his ambition.

Philip Bretherton, perhaps best known as Alistair Deacon in the BBC TV sitcom As Time Goes By, plays Nikolai. Diana Kent is Eugenia, Celia Meiras is the formidable maid Polya and Ilan Goodman is Sasha.

Owen Aaronovitch plays Verkoff while Jim Findley and Jonathan Wright, both familiar to Nottingham Playhouse audiences, are two guards with a pivotal role in the family's fortunes.

Esther Richardson, associate artist at the Soho Theatre in London, directs. Jamie Vartan contributes a set including a railway carriage "capable of some striking surprises".

Breaking the Silence runs at Nottingham Playhouse from Friday (May 16th) until Saturday, May 31st.

Buxton Festival logo

Buxton Festival prepares for bumper year

Ticket sales for the Buxton Festival are likely to smash last year's record thanks to a 20% rise during the priority booking period.

Friends and patrons spent more than £38,000 between March 7th and April 3rd on tickets for the festival's 30th year.

Buxton has built its reputation on being the UK's foremost festival for rarely performed opera. It draws audiences from all over the country and overseas for works they can't see elsewhere.

Last year the Festival won the Manchester Evening News theatre award for best opera for its production of Donizetti's Roberto Devereux. The Festival contributed more than £3m to the local economy.

Chief executive Glyn Foley said, "We've been thrilled to see how many tickets have been sold so far. We've extended the Festival by two days to keep up with demand, so it looks like we're in for a bumper year."

Further details are available at www.buxtonfestival.co.uk.

New Connections logo

Young people have connections in Northampton

The National Theatre's New Connections Festival - "the world's most ambitious new writing programme for young actors creating theatre" - returns to Northampton's Royal and Derngate this week.

The Connections programme started in 1993 in response to widespread demand for challenging new plays for young people to perform.

From Wednesday to Saturday Royal and Derngate will be showcasing a selection of productions performed by a cross-section of schools and youth theatres from around the region.

The plays this year include works by Bryony Lavery, Frantic Assembly, Nigel Williams and Abi Morgan.

Royal and Derngate's youth theatre will be staging Jack Thorne's Burying Your Brother In The Pavement.

More information is available at www.ntconnections.org.uk.

Matthew Kelly

Matthew's not afraid of stepping onto the Garrick stage

A classic play starring Matthew Kelly and the return of Ian Dickens Productions with a thriller and a farce are among the highlights in the Lichfield Garrick season running from June to December.

The programme includes:

  • Opera UK with Mozart's Cosi fan Tutte on June 5th and 6th;
  • Ben Roberts, Kim Hartman, Julia Mallam and Carly Hillman in Denise Deegan's Daisy Pulls It Off, directed by Ian Dickens, from June 17th to 21st;
  • Charles Ross and his One Man Star Wars Trilogy on July 19th;
  • Daphne du Maurier's Don't Look Now, presented by Ian Dickens Productions, on July 25th and 26th;
  • comedy musical The Extra Factor with Kevin Kennedy, Antony Costa, Anthony Kavanagh, Russ Spencer and Jennifer Biddell from September 11th to 13th;
  • Confessions of Honour, an Opus Theatre Company presentation, on September 17th, 19th and 20th;
  • Lichfield Garrick Youth Theatre with The Wizard of Oz from September 23rd to 27th;
  • Ha Ha Hamlet!, Shakespeare's "original" comedy version of the play, on September 28th;
  • Eve Ensler's The Vagina Monologues on October 6th;
  • Matthew Kelly, Tracey Childs and Mark Farrelly in a Lichfield Garrick Rep Company presentation of Edward Albee's Who's Afraid of Virginia Woolf? from October 7th to November 1st;
  • former stars of the D'Oyly carte Opera Company in A Feast of Gilbert and Sullivan on October 22nd;
  • The Big Ballet on October 23rd;
  • the Reduced Shakespeare Company with The Bible: The Complete Word of God (Abridged) on October 24th;
  • Melvyn Hayes, Mark Wingett, Paul Henry, Barry Howard, David Callister, Michelle Morris and Tiffany Graves in Ray Cooney's farce Run For Your Wife, an Ian Dickens production, from November 4th to 8th;
  • Central Line Touring's interpretation of Dario Fo's Accidental Death of an Anarchist in the Studio from November 4th to 15th;
  • Vienna Festival Ballet with Tchaikovsky's Swan Lake from November 19th to 22nd;
  • Dick Whittington from December 4th to January 4th.

Auditions set for Stafford summer school

Stafford Gatehouse Theatre is to hold auditions next Sunday (May 18th) for its summer school production of Honk!, based on the Hans Christian Andersen fairytale The Ugly Duckling.

Eighty places are available for the three-week school. To qualify children must either live in Stafford borough or attend school within the borough. Auditions for seven- to 12-year-olds start at 9.30am and for 13- to 18-year-olds at 2pm.

The summer school begins on Monday, July 21st and runs until Saturday, August 9th, with Honk! being performed on the final four days on the Stafford Gatehouse main stage. The cost of a summer-school place is £150; some concessions are available.

More information is available from the Gatehouse on 01785 253595.

 

Strangers on a Train
Bahok
Taming of the Shrew

What's on this week

  • Willy Russell's Blood Brothers moves to the Wolverhampton Grand from tomorrow (Monday) until May 24th;
  • Deafinitely Theatre perform Lipstick and Lollipops at Birmingham Library Theatre tomorrow;
  • Hannah Waterman finds herself among Strangers on a Train at Chesterfield's Pomegranate Theatre from Tuesday until Saturday;
  • Jenny Eclair is back on the road with her Because I Forgot to Get a Pension Extended Tour which stops off at Northampton's Derngate on Tuesday;
  • as part of Birmingham's first International Dance Festival, the city's Rep hosts Akram Khan Company and the National Ballet of China with Bahok on Tuesday and Wednesday, and Robyn Orlin City Theater and Dance Group with We Must Eat Our Lollipops With the Wrappers On on Friday and Saturday;
  • Lichfield Garrick stages the world premiere of a community musical, Tom and the Waterbabes, from Tuesday to Saturday;
  • Secrets, based on Jacqueline Wilson's novel about two girls from different backgrounds, is at Coventry's Belgrade Theatre from Wednesday until Saturday;
  • Kim Hartman, Julia Mallam, Carly Hillman and Ben Roberts discover how Daisy Pulls It Off at Buxton Opera House from Thursday to Saturday;
  • set in the African-Caribbean community of Huddersfield, A Mother's Frustration, which tells the tale of a widowed mother struggling against the odds to raise her two daughters, is at The Drum, Birmingham on Thursday and Friday;
  • University of Derby Theatre Arts present Christopher Bond's retelling of the Sweeney Todd story in the Paupers Pit Theatre, Buxton from Thursday to Saturday;
  • Tommy Steele continues to talk to the animals as Doctor Dolittle at Birmingham Hippodrome until Saturday;
  • Stephen Lowe's latest play Smile, a Lakeside and New Perspectives Theatre Company presentation, continues at Lakeside Arts Centre, Nottingham until Saturday;
  • Great Expectations continues at the New Vic, Newcastle-under-Lyme until Saturday;
  • Paul Lucas's new black comedy How To Tell the Monsters from the Misfits causes murderous mayhem in The Door at Birmingham Rep until Saturday;
  • a new production of That'll Be The Day is at Nottingham's Royal Concert Hall next Sunday;
  • in the Courtyard Theatre at Stratford, The Taming of the Shrew continues until September 25th, The Merchant of Venice until September 27th and A Midsummer Night's Dream until November 13th.

Reporter: Steve Orme

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©Peter Lathan 2008